Make A Wish

Tens of thousands of volunteers, donors and supporters advance the Make-A-Wish® vision to grant the wish of every child diagnosed with a life-threatening medical condition. In the United States and its territories, on average, a wish is granted every 37 minutes. We believe a wish experience can be a game-changer. This one belief guides us and inspires us to grant wishes that change the lives of the kids we serve. Wishes make life better for kids with life-threatening medical conditions. This simple, but powerful belief drives Make-A-Wish. Wishes are only made possible through the hard work of many dedicated staff, volunteers, donors and other supporters.


Food For The Poor

Food For The Poor is one of the largest international relief and development organizations in the United States. Our work is motivated by our faith in God, spreading His unconditional love, regardless of race, wealth, or creed as we minister to the poorest of the poor in 17 countries throughout the Caribbean and Latin America. By providing lifesaving food, secure housing, clean water, healthcare, emergency relief, micro-enterprise projects and education opportunities, we are giving the poor a chance at a better future, and showing them God’s love. Join us.

More than 95 percent of all donations go to programs that help the poor.



The American Society for the Prevention of Cruelty to Animals® (ASPCA®) was the first humane society to be established in North America and is, today, one of the largest in the world. Our organization was founded on the belief that animals are entitled to kind and respectful treatment at the hands of humans and must be protected under the law. Headquartered in New York City, the ASPCA maintains a strong local presence, and with programs that extend our anti-cruelty mission across the country, we are recognized as a national animal welfare organization. We are a privately funded 501(c)(3) not-for-profit corporation, and are proud to boast more than 2 million supporters across the country. The ASPCA’s mission, as stated by founder Henry Bergh in 1866, is “to provide effective means for the prevention of cruelty to animals throughout the United States.”


Save The Bats

Our mission has always been to educate people about bats and inspire them to become actively involved in conservation. We were founded in 1992 in Michigan with a small team offering live bat programs to schools, nature centers and museums. Founder Rob Mies remains Executive Director of the organization and has been featured on national television shows, has spoken at leading conferences and has written many books on the subject. We began operating the Bat Zone at Cranbrook Institute of Science in 2002. In September 2014 we launched the national ‘Save the Bats’ campaign to mobilize millions of Americans to become even more involved in bat conservation.




My Story

Ender Bowen At 18I knew I wanted to be a rock star when I saw Van Halen’s “Jump” for the first time at four years old. That was 1984. I was 16 when I finally got the chance to be a part of a band - I played drums in a pop metal outfit called The Waffle Senate. But I wasn’t that into metal, and I didn’t feel I was able to contribute to the writing of a song on drums. So in 1997 I quit the band and taught myself how to play guitar by playing along to my favorite bands - U2, Garbage, Spacehog and The Smashing Pumpkins. By 1998 I had written and recorded a four-track demo of over a dozen pop/rock songs. I formed another band in the hopes of getting into a studio and recording these compositions, but the whole thing fell apart. By my Sophomore year of college, in fall of 1999, I was ready to just get it done on my own.

I spent the next two years of my college tenure recording my debut album in the music lab and in my dorm at St. Lawrence University in Canton, NY. In 2000, both a local radio station and a station in Canada called XFM played my song “Weak”. I followed that up by completing and releasing my first album Neon Apocalypse in November of 2001 on MP3.com - one of the first pioneers of indie digital release platforms. I put out an EP in 2002 and a second album in 2003 called Scarlet Dawn. I tried desperately to get a band formed and, while I did have some success, it was clear by the end of 2004 that trying to get a band together, keep it together, and get it out playing in Northern New York - where there’s really no place to play - wasn’t going to work.

So in 2006, after having released my third album Lemonymous and nursing the wounds from the dissolution of a long relationship, I moved to Nashville. I knew that Music City was more country than Euro Pop, but I felt that would be perfect - I’d have places to play, people I could play with, and I’d stand out in a crowd as being something different. Within a few months I had signed a recording deal with an indie label but over the course of a couple years I found that that wasn’t all it was cracked up to be - in fact, it had slowed me down. I didn’t play out, nothing was recorded, and I suffered in limbo with my hands virtually tied behind my back.

Addison Born Feb 9 2014

I asked for my release in September of 2008, and though it was granted and I did record and release some music over the next six years, I felt very jaded by the experience. Here I was, an artist who had taken advantage of one of the first platforms for online music distribution, had my music played on the radio in the middle of nowhere, and recorded over 30 songs - Nashville was supposed to see all of this turned up to 11. Instead, just when things should have really taken off and I finally had a machine behind me to make that happen, I went nowhere, and I found myself trying to catch up to bands and artists who had taken advantage of new digital release platforms and social media. I was behind the times. I was getting older. I’d lost my momentum. I debated whether or not I wanted to do music at all. I got involved in the film industry, podcasting, and in doing sketch comedy with a comedy troupe. All of these things opened up a new performance side to me that I didn’t know I had.

Then, in 2014, my first daughter was born, and it changed everything. I came to the realization that I had come to Nashville for a purpose, my daughter was born here, it was still my home, so I obviously still had a mission to accomplish. Music had always been my passion. I hadn’t given it up. And now that I had a child to serve as a role model for, I couldn’t give up my dreams just because I’d fallen down or been held back. Now was the time to get my head back together, get my hands back on the guitar, and show the world what I could do.

And, ultimately, to show my daughter that no matter what you want to do in life, you don’t give up on it, no matter how hard it is. No matter who you are.

Who am I? I am an indie electronic artist from Nashville, TN. A singer/songwriter, producer and writer, I have released 3 albums, several Singles and EPs, and a compilation album of my own music. Always in search of new, experimental sounds, I have been described as having an "eclecticism [that] has translated into a diverse creative talent.” I blend the soaring, big sounds of U2 with the heavier eclecticism of The Smashing Pumpkins, with a dash of electronica thrown in. Drawing from literary influences such as C.S. Lewis as well as my own two-decades-long journey, I find my music to be easily accessible to people trying to sort out their own destiny and purpose.

Not only does my music speak to everyday people with everyday issues, but most of my songs come through in a fun, easily-approachable manner. It can be dancy party music while at the same time, with closer inspection, thought-provoking and relevant. Ultimately, it's the story of trying to realize your dreams whilst also holding down a family, a job, and a mortgage.

It’s not just my story. It’s yours, too.